'김연아'에 해당되는 글 9건

  1. 2009.05.03 Festa On Ice 2009- YuNa Kim -Gold-song by Bigmama
  2. 2009.03.22 그랑프리 파이널과 4대륙 대회에서 김연아 선수에 대한 고의적인 방해
  3. 2008.03.29 김연아가 진정한 월드챔피언 4
  4. 2008.03.25 김연아 2008 월드 갈라 - Only Hope
  5. 2008.03.23 김연아 2008 World Championships 프리스케이팅 2
  6. 2008.03.23 Only Hope - Mandy Moore
  7. 2008.01.15 2006-07 그랑프리 파이널 LP - 종달새의 비상
  8. 2008.01.10 김연아 2007-08 그랑프리 파이널 프리스케이팅
  9. 2007.03.27 2007 세계선수권 김연아 선수 연기장면

Festa On Ice 2009- YuNa Kim -Gold-song by Bigmama

Figure Skating 2009. 5. 3. 02:42


마봉춘 화면보다 이게 백배천배 낫다능~
:

그랑프리 파이널과 4대륙 대회에서 김연아 선수에 대한 고의적인 방해

Figure Skating 2009. 3. 22. 16:05

Intentional Impeding during Warm-up at Figure Skating[Yuna Kim]

사실 연아는 특정국가와 선수를 언급한적이 없는데...
아무래도 일본 빙상연맹이 병진 인증 하는듯...
진상 요구를 하려면 SBS에 해야 되는거 아닌가?


:

김연아가 진정한 월드챔피언

리뷰/여행기/기타 2008. 3. 29. 04:31

Lights and Shadows at the Scandinavium

by
Sonia Bianchetti

The 2008 World Figure Skating Championships were held in Gothenburg, Sweden, in the wonderful Scandinavium. The arena was packed every day with an enthusiastic crowd and the atmosphere for the skaters could not be better.

To attend all events was an exhausting endurance challenge. The first day we started with 53 Ladies Short Programs and ended with 20 Pairs’ Free Skating. Fourteen hours in a row in the arena are a nightmare even for the most avid fan! Not to speak of the standard of these Ladies half of whom would not even earn as many points as a Novice skater. Perhaps the ISU should start to reconsider an old idea that was strongly supported until some years ago by the Figure Skating Technical Committee, to use the European Championships and the Four Continents as qualifying events for the Worlds. It really makes no sense to have skaters coming from all over the world with coaches, team leaders, judges and federation officials just to skate 2,50 minutes and then go home.

With very few exceptions, the quality of the skating in all events was more than disappointing. Even the programs of the top skaters were filled with errors, and the judging was embarrassing, to say the least. Very sad!

In the pairs, the first place to Aliona Savchenko and Robin Szolkowy of Germany was questionable. They won the title but they were not the best in the field, in my opinion. They did not skate at their best. They were not perfect. They opened with an outstanding throw triple flip but on their second element, a triple toe-loop/ triple toe- loop sequence, Savchenko had a poor landing on the first jump, and then they messed up their side-by-side triple Salchows when he fell and she put both hands down to keep from falling as well. Through their program they skated with great intensity, in perfect unison, a bit slow. Despite the two important errors, the Germans received the highest Technical Score for the event and they also were scored highest in Personal Components. This, in my opinion as well as that of many other officials and journalists, was not correct. An Easter gift to the European Champions?

Canadians Jessica Dube and Bryce Davison placed second in the free skate and third overall. They skated an excellent program, technically strong , with beautiful lifts and throws. Their only error was a break forward on the landing of throw triple Lutz for which they received GoE points of -0.50. Their program was well constructed and beautifully choreographed to the music. They were passionate and elegant on the ice while interpreting the music with expression and heart. The best for me that evening. Still they earned only the second highest technical score and only fifth in Program Components! A farce.

The women's competition was expected to be a fight between the Japanese skaters and Yu-Na-Kim, winner of the Grand Prix final. But things went differently and Carolina Kostner upset the plans.

But here again the judging raised some questions.

In the short program, Yukari Nakano, from Japan, was the first of the top group to take the ice. She skated clean with all her GoEs, zero or more.  She landed triple flip/ double toe combination and triple Lutz.  Her spins were very good, fast and well centred and, except for a level 2 straight line step sequence, all elements were called level 3 and 4. She was scored third in Technical Score but only ninth in Program Components, with component marks in the mid sixes.

The next was Mao Asada , from Japan. She hit all of her jumps easily, seeming to fly above the ice before making her rotations. Her triple flip/triple loop combination, triple Lutz and double Axel were all gorgeous although she had an edge call in the triple Lutz.  Her spins and the spiral sequence were beautiful and, on the whole, she gave a lovely elegant performance.

Immediately after Asada was Carolina Kostner’s turn. She led off the program with a solid triple flip/ triple toe- loop combination but on her subsequent triple Lutz she stepped out of the landing.  Her spins were slow and not of the best quality, while she had a very attractive step sequence. Also her transitions were very poor. Waiting for the marks, I was discussing with some skating officials whether she would deserve the second or the third place when the marks were displayed and she was given the first place. We were all just stunned! This placing was definitely wrong! Being Italian, some thought I should be happy and proud for this result, but I was not. On the contrary, I was ashamed because I strongly believe that fairness towards the athletes, whatever their nationality may be, is essential for credibility of the sport. Mao Asada should have been first.. Although the difference between the two skaters was only a slim 1.12 point, the result was not correct. It was interesting to note that some of the judges of the Ladies’ panel agreed that this placement was wrong. Another Easter gift to the European Champion?

In the final free, only three skaters out of 24 performed "nearly" clean programs: Sarah Meier, from Switzerland ( she had a wrong take off in the triple Lutz) ; Yukari Nakano ( whose triple Axel and triple Flip were downgraded) and Yu-Na-Kim, although she had a small mistake in the landing of the triple Salchow. The rest of the skating was more or less a disaster.

Carolina Kostner placed third in the Free Skate and ended up second overall, missing the gold medal by only 0.88 points. She started off with a nicely executed triple flip /triple toe- loop/ double loop combination, but she put a hand down on the triple Lutz and had a step out of the triple flip.  Then she nearly fell on a triple Salchow/ double toe- loop combination.  Carolina also had a hand down on the toe- loop in the double Axel/ triple toe-loop combination, and was also scored slightly negative on a double Axel with an awkward landing.  Even with all these errors she was only 0.01 point behind Asada in technical score and only three points behind Kim.

Mao Asada’ s first jump was supposed to be a triple Axel. She had landed a perfect one during the warm up. She started off her program with speed and determination but as she approached the takeoff of the planned triple Axel, she leaned back, stumbled badly, slipped off the edge and went sliding across the ice towards the barrier. Her heart just stopped, and so did the hearts of the 8000 spectators. She got up and looked astonished but she pulled herself together, and with unbelievable determination she was able to perform an outstanding program. She has beautiful step sequences and spins and she is very expressive and artistic too. The fall on the Axel, however, was not her only error in the elements.  She had an edge call on the triple Lutz and a downgrade on the loop in  the triple flip/ triple loop combination.   Asada had the second best technical score, by 0.01 point over Carolina Kostner, while in Program Components she was scored best, with a total of 60.57 points.

Yu-Na Kim won the free skating with a splendid performance. She opened with a gorgeous triple flip/ triple toe- loop combination and landed a total of five triples, ending the program with a double Axel and a beautiful change foot combination spin. Her program was nearly clean. She only had a couple of minor errors: a poorly controlled landing on a triple Salchow and a singled planned triple Lutz. Her technique is pure and she moves beautifully on the ice. She is a joy to watch. In my opinion she was by far the best skater that night. Still, her marks in the components did not reflect this. Her total score was 58.56, just 0.4 ahead of Kostner and almost 1.03 less than Asada. Had she been marked correctly, although she was only fifth in the short program, she might have won the World title.

The Men's final went from tragic to sublime, all in the last group to skate. This just proves once more that there is no consistency in the performances of the competitors and that their success depends on the luck of the day.

The first skater to take the ice in the top group was Tomas Verner, the European Champion. The high point of his performance was an opening quad toe- loop on which he put his hand down -- the first of seven elements with errors.  In addition to the quad he landed two triple jumps, a triple Axel and a triple flip.  He fell on an attempt at a second quad toe-loop, was downgraded on a triple Axel, and singled three triple jumps. A miserable performance! Still, despite all these errors which completely disrupted the program, he received for Program Components 69.92 points , the sixth highest of the Free Skate.  How is it possible that he got marks in the seven in what we can call the "artistic" part of a program -- Performance/Execution, Choreography/Composition and Interpretation? With all these mistakes there was nothing left in that program. How could the judges give him 2.50 points more than Patrick Chan, from Canada, who, although with a couple of errors, skated beautifully and performed one of the most artistic programs of the night? One can only wonder what the panel of judges was watching during that performance. His free skate at the Europeans on their computer’s screen, perhaps? An even bigger Easter gift to the European Champion!

Next to skate was Johnny Weir, from the US. He opened with a quad toe- loop attempt.  The landing was two footed, and the jump downgraded.  This was the only element in the program with a major error. He had a couple of poor landings on a triple loop and on triple Lutz, and a solo triple flip had an edge call. Johnny started slowly and looked cautious, very tense. It was only after his second triple Axel that he started to look secure and skated the second half of the program confidently. Weir has an excellent technique, he skates on deep edges and has good running edges also in landing jumps as well as between jumps in combinations. He is one of the most elegant and artistic skaters. His component marks, though were in the mid sevens, and he was ranked only fifth best .

Weir was followed by Daisuke Takahashi, from Japan, who was third in the short, and one of the favourites for the gold.  Takahashi landed an outstanding high, clean opening quad toe- loop.  He then fell apart and made major errors on three jump elements. He fell on his second quad toe- loop attempt and had a near fall on one of two triple Axels.   He also had a major brain seizure near the end of his program by improvising a triple Lutz / double toe- loop combination which counted as a fourth combination/sequence and was given zero points. This probably cost him the bronze medal.  Despite the technical errors he skated with speed, and managed to keep the overall flow of the program.  He was scored third best in Program Components.  He ended up in fourth place, 1.73 points behind Weir.

Next to skate was Stephane Lambiel, from Switzerland, the 2005 and 2006 World Champion. He also made a mess of his program.  Five jump elements received negative GoEs .  He missed two quad toe- loop attempts, one of which was downgraded.  Triple Axel, loop and flip also had major errors.  This was another program where the errors disrupted the performance and yet the component marks remained in the mid to upper sevens for a total score of 75.72, the fourth best, ahead of Weir! Unbelievable.  

Lambiel was then followed by Brian Joubert.   Three quads were planned in the program but after landing the first one correctly, he left out the next two.  On his second element he executed triple Salchow instead of a quad and he replaced a second quad toe- loop with a triple flip / triple toe- loop combination, and his final combination, planned as triple Salchow / double toe- loop/ double loop, was replaced by double Axel / single toe- loop. Both the triple flips had edge calls.  Brian, probably thinking that Buttle could not win without a quad, dumbed down his program to a dangerous level. His program was well skated and he was given 79.36 points in Program Components, the highest of the event. Joubert was the leader in the overall score with only Buttle left to skate, and he surely must have thought the gold medal was his as he kissed the ice at the end of his performance.  But it was not going to be so.

Jeffrey Buttle. from Canada, took the ice and skated a clean program with eight triple jumps, including two triple Axels and a triple flip/ triple toe- loop combination. The quality of all his elements was superb as well as that of his skating. His total element score was an extraordinary 84.29 points more than 10 points more than Joubert, especially considering that it was achieved without a quad. Quality won over simple difficulty !!! His free program was very beautiful and appealing as well. At last a free skating that one would like to watch again and again. However in Program Components he was scored only second best, 0.58 points behind Joubert, and this is just ludicrous if not outrageous.

During the press conference following the event, Joubert expressed his disappointment at the result " because Jeffrey did the perfect combination but he didn’t try a quadruple jump. The scoring system has changed so much. It is better now to do simple and clean to try something difficult."

Joubert also expressed the opinion that we need to give more points for the quads, which is correct. The scale of values of the jumps should be totally revised. Still, Buttle fully deserved to be first in the technical score due to the quality of his skating and of all his elements. Even if the ISU leadership claims that in figure skating, being a sport, difficulty must prevail over quality and artistry, it would simply be suicidal for figure skating if one single jump, as difficult as it may be, could determine the overall result.

As Jeffrey said, "Figure skating is everything. It is not just about the jumps. I definitely feel like I earned the title and I am happy". And " I started skating because I watched Kurt Browning and Brian Orser. You remember the programs, not the elements. That's what I'm most passionate about". Correct, Jeffrey! And what appears very encouraging to me is that it seems that this is the prevailing philosophy also among the Canadian officials and coaches: Jessica Dube and Bryce Davison in pairs, Tessa Virtue and Scott Moir in ice dancing, Joannie Rochette in ladies and, of course, Jeffrey Buttle in men are perfect examples. Definitely encouraging for our sport and a great comeback for Canada. Congratulations.

As to ice dancing, not being an expert, as is well known, I can only express an opinion as a spectator. Some programs were really outstanding, with beautiful and enjoyable skating . The one I preferred was that of the Canadians Virtue /Moir , followed by Delobel/ Shoenfelder and the Italians Federica Faiella and Massimo Scali.

With the World Championships the skating season comes to the end. As a general remark I would say that it is just depressing to see all these talented skaters, some of whom are real marvels, who are unable to perform at their best because they are required to execute elements beyond their capabilities just to get the highest possible number of points.

The music is just background noise to most skaters and the multitude of restrictive boundaries kill choreography as well as the development of a personal style and creativity in a sport where such elements are essential.

www.soniabianchetti.com


세계 피겨스케이트의 대모라 불리우는 소니아 비앙케티 여사의 이번 월드 챔피언쉽에 대한 소감 입니다.
석연치 못한 채점에 대해 특히 PCS 점수에 대해서 말하고 있습니다.
유럽선수들에 대해서는 후한 반면 비 유럽권 선수들에게는 가혹했던 PCS 점수...

파란색이 여자싱글에 대한 부분이고 초록색이 직접적으로 연아를 언급한 부분 입니다.
쇼트에서 1위를 한 카롤리나 코스트너에 대해서 그녀는 2~3위 정도를 예상했으며
당연히 아사다 마오가 1위가 되었어야 한다. 본인이 이탈리아 사람임에도 코스트너가
1위를 한것은 잘못된 채점이었으며 심판들 중 일부가 잘못된 것을 인정했다는 부분이 있습니다.

그리고 마지막 단락에서 소니아 여사는 연아에 대해서 이렇게 말하고 있습니다.
프리스케이팅에서 제대로 점수를 받았더라면 비록 쇼트에서는 5위에 그쳤지만 월드챔피언이 되었을거라고...



연아는 1등하기 위해 피겨를 하는것은 아니다며 훌훌 털어내는 모습을 보여줍니다.
팬들은 그 모습을 보면서도 가슴이 아픕니다.
물론 본인이 만족하는 퍼포먼스를 보여주는 것이 가장 중요하겠지만
제대로된 판정이 내려지지 못한것이 참 안타깝습니다.

:

김연아 2008 월드 갈라 - Only Hope

Figure Skating 2008. 3. 25. 13:20

작년 갈라였던 Reflection 하고 비슷한 느낌이지만

조금더 애잔한 느낌과 성장했다는 느낌이 드는 갈라... Only hope

그나저나 SBS꺼라 조만간 짤릴지도 모르는데... CBC 혹은 후지꺼로 다시 구해야할듯...

아래 사진 같은 사진 한번 찍어보고 싶다.

그림자를 어찌나 절묘하게 잡았는지...

사용자 삽입 이미지

:

김연아 2008 World Championships 프리스케이팅

Figure Skating 2008. 3. 23. 23:35



정말 아쉬운 PCS 점수...

처음 동메달 소식을 들었을땐 정말 장하다는 생각이 들었다.
그러다 아사다 마오, 카롤리나 코스트너의 경기와 점수를 보는 순간
실수 때문이 아니라 심판들 때문에 금메달 뺏겼구나 하는 생각이 들더라.

이해할 수 없이 짜게 준 가산점과 프로그램구성 점수...

국제 피겨계에서 울나라가 힘이 없어서 인가
아님 일본만큼 돈줄이 아니어서 인가...
:

Only Hope - Mandy Moore

음악/뮤비 2008. 3. 23. 23:24

연아의 새로운 갈라곡이 될 맨디무어의 Only Hope
영화 A Walk to Remember 에 삽입되었다고 하네요.





사용자 삽입 이미지

Only Hope - Mandy Moore

There's a song that's inside of my soul
내 영혼 안에 있는 노래가 있어요
It's the one that I've tried to write
몇번이고, 몇번이고 되풀이해서
over and over again
쓰려고 노력했어요
I'm awake and in the infinite cold
나는 무한히 추운 곳에 깨어있어요
But You sing to me over and over and
그러나 당신은 나에게 몇번이고, 몇번이고 되풀이해서
over again
노래를 해줬어요
So I lay my head back down
그래서 나는 다시 내 머리를 들고
And I lift my hands
그리고 내 손을 올리고
And pray to be only Yours
오로지 당신의 것이 되게 해달라고 기도해요
I pray to be only Yours
당신의 것이 되게 해달라고..
I know now You're my only hope
그리고 지금 난 알았어요 당신은 오직 나의 희망이라고
Sing to me of the song of the stars
별들같은 당신의 노래를 나에게 해줘요
Of Your galaxy dancing and laughing
당신의 은하수 같은 춤과
and laughing again
웃음을 몇번이고 되풀이해줘요
When it feels like my dreams are so far
머지 않아 내 꿈 같은 느낌이 들때
Sing to me of the plans that You have
당신이 가진 계획을 나에게
for me over again
몇번이고 되풀이 해서 말해줘요
So I lay my head back down
그래서 나는 다시 내 머리를 들고
And I lift my hands
그리고 내 손을 올리고
And pray to be only Yours
오로지 당신의 것이 되게 해달라고 기도해요
I pray to be only Yours
당신의 것이 되게 해달라고..
I know now You're my only hope
그리고 지금 난 알았어요 당신은 오직 나의 희망이라고
I give You my destiny
난 당신에게 나의 운명을 주었어요
I'm giving You all of me
난 당신에게 나의 모든것을 주었어요
I want Your symphony
난 당신의 심포니가 되고 싶어요
Singing in all that I am
내 폐부를 흔들며
At the top of my lungs I'm giving it back
내가 할수 있는 최선을 다해 노래를 부를거에요
So I lay my head back down
그래서 나는 다시 내 머리를 들고
And I lift my hands
그리고 내 손을 올리고
And pray to be only Yours
오로지 당신의 것이 되게 해달라고 기도해요
I pray to be only Yours
당신의 것이 되게 해달라고..
I know now You're my only hope
그리고 지금 난 알았어요 당신은 오직 나의 희망이라고
:

2006-07 그랑프리 파이널 LP - 종달새의 비상

Figure Skating 2008. 1. 15. 02:02


이때까지만 해도 연아에 대해서만 알았지
피겨 스케이팅에 대해서는 잘 알지 못했다.
지금도 다른 연아갤러들에 비하면 새발의 피이겠지만
그나마 지금은 점프 종류는 어느 정도 구분할수 있게 되었지.

2006-07 시즌 프리스케이팅 중에서 가장 좋아하는건
TEB에서 선보인 프로그램이지만
그때는 마지막 더블악셀에서 넘어지는 바람에
그래도 안넘어진 파이널을 골랐다.

이나바우어 + 더블악셀 + 트리플토에서 더블악셀 랜딩이 생각만큼 충분하지 않았는지
트리플토를 생략하고 대신에 후반에 살코 + 더블토를 뛰어주는 임기응변까지...

그런면에서 월드 챔피언쉽에서의 프리스케이팅이 좀 아쉽긴 하다.

연아가 러츠를 연거푸 실수하자 러시아 해설 타라소바가
왜 더블악셀을 초반에 뛰고 러츠를 나중에 뛰는지 이해가 안간다고 했는데...
당시에는 그 말을 이해하지 못했었지만 지금은 무슨 의미였는지 이해가 간다.

물론 러츠를 후반에 배치해서 가산점을 노린것이었겠지만
연아가 정상 컨디션이 아니었다는 점을 고려해본다면
TEB나 파이널 처럼 좀더 안전한 구성으로 가는게 어땠을까 하는 생각이 들곤한다.
하지만 이미 지난 일을 어쩌리...

각설하고...

이 프로그램의 점프 구성은

3F + 3T
Ina Bauer + 2A
3Lz
3Lz + 2T + 2L
2A
3S + 2T
2A

이 프로그램의 안무는 정말 좋아하지만
음악만 들으면 강약이 없어서 조금은 지루한 느낌...
하지만 연아를 우아하고 서정적인 스케이터로 자리매김해준 프로그램이 아닐까 싶다.

연아가 아닌 다른 스케이터가 이 프로그램을 잘 소화할수 있을거라는 생각은 안든다.
부상 문제로 인해 한번도 클린 프로그램을 보이지 못하고 시즌을 마감한 비운의 프로그램...

한 시즌 더 쓰면 어떨까 하는 생각도 해봤는데...
미스사이공 보고나선 다이내믹한 음악과 안무도 연아한테 어울리는걸 보고 놀랬다.
COC까지만 해도 종달새가 낫다고 생각했는데
러시아 대회와 파이널 거치고 나니 사이공도 완소 프로그램이 되어버렸네... ㅋㅋㅋ

:

김연아 2007-08 그랑프리 파이널 프리스케이팅

Figure Skating 2008. 1. 10. 00:55


점프 구성은

3 Flip / 3 Toe
3 Loop (Fall)
3 Lutz / 2 Toe
2 Axel / 3 Toe
3 Lutz
3 Salchow
2 Axel

4번의 스핀 모두 레벨 4
스파이럴 시퀀스 레벨 4
스텝 시퀀스 레벨 3

승리의 김슨생님~!

자~ 프로토콜 함 봅시다.


사용자 삽입 이미지



:

2007 세계선수권 김연아 선수 연기장면

Figure Skating 2007. 3. 27. 14:16

손처리와 표정연기 보고 있으니 소름 끼치네요.
특히 쇼트프로그램에서 스파이어럴 시퀀스의 표정연기 압권~!

일본이나 유럽에서도 정말 대단하다는 반응이네요.
피겨스케이팅에 대해서 잘 알지는 못하지만 세계선수권이나 올림픽에선 관심있게 보는데
우리나라 선수여서가 아니라 정말 대단합니다.
피겨스케이팅이 기술과 점프의 조합이 아닌 예술적인 스포츠라는걸 제대로 보여주는듯...

사실 저는 중계방송 한다는거 알고 있으면서도 가슴 떨려서 못봤습니다. ㅜ.ㅡ


쇼트프로그램




프리스케이팅



갈라쇼








: